Author Linda Strader is here to talk with us about writing memoirs and Summers of Fire. Check out her bio below. Oh, the stories Linda must have in her notebooks.




When I initially wrote my memoir, it never occurred to me to publish. After all, I was not a writer. However, once the draft was completed, I toyed with the idea—but didn’t know if what I’d written had potential. Would anyone want to read this? Therefore, I joined a writers group for feedback. An author I met encouraged me to publish, explaining my options. I decided I wanted to go the traditional publishing route, or not at all.

Although I’d been warned about the difficulty of landing an agent and publishing traditionally, the rejection letters that rolled in sure did hurt. Most were form letters: “Not a good fit for our agency.” “Sorry, but memoirs are hard to sell unless you are famous.” I ignored those, especially about the need to be famous. I’d read several New York Times Best Sellers that had nothing to do with fame.

Then there were the ones that puzzled me: “Memoirs need to be universal—they need to resonate with the reader.” “A memoir must read like a novel.”

Universal? Resonate with the reader? A novel? I didn’t know how to write a novel. What does universal mean? Why didn’t my memoir resonate? I decided to do more research. Finally I found answers.

This is what I learned about writing a memoir if you plan on publishing:

  1. If you want it to read well, you will need to meet what agents and publishers are looking for. They know what sells.
  2. In order to engage the reader, it’s important that you tell a story. You’ll need a beginning, middle and end. What happened to you is not enough. You’ve probably heard the advice “show don’t tell.” That applies to both fiction and nonfiction memoir.


I walked into the hospital to see my sick mother. She lay in bed, unable to speak. I never did like hospitals, so it was hard for me to be there.


The minute I walked into the hospital, the smell of disinfectant about knocked me over. That odor always made me remember the day my dad died, and now it looked like my mom would follow. When I entered her room, I detected the odor of urine and medicine. Her face was gray, her eyelids closed, but her hair had been carefully combed into her favorite style. A heart monitor bleeped steadily; the oxygen tank whooshed. My mom was leaving me and there wasn’t a damned thing I could do about it—and I was angry.

  1. Your story needs to address what kind of things were at stake. What choices did you have to make? How did those choices change you? That is what makes the story resonate with the reader. That is what makes a memoir universal.

My advice is this: You have a story to tell—write it—but be yourself when you do. If you write from your heart, reveal your true self, your vulnerability, what makes you uncomfortable and expose your fears of being judged—readers will relate.

After discovering all of this, rather than fixing my story, I rewrote it. Did I find it hard to reveal all of those things? Yes, I did. But I knew in order to make my story the very best it could be, one that would resonate with the reader, one with universal appeal, I would have to go there.


It’s 1972, and seventeen-year-old Linda Strader’s parents do the unthinkable—they move from Syracuse, New York to Prescott, Arizona. At first, Linda is furious and doesn’t want to move. True, life in Syracuse isn’t perfect, but all her friends are there. Then she has a thought: maybe this move won’t be so bad. What if she can make herself into someone new?
Expecting a desert, Linda is surprised to find Prescott surrounded by pine-covered mountains, lush canyons with clear, cold creeks, and best of all, several new friends willing to show it off to her. Her new friends also share her love of music and even provide some romance in her life, although she holds out hope for a boy she had liked in Syracuse who joins the Navy.
When her father begins a new job in Tucson, he moves there until the house in Prescott is sold, taking Linda with him so she can job hunt. She learns about a Forest Service job on Mt. Lemmon and jumps at the chance, realizing the one constant in her life is her love for the outdoors and nature.
In this prequel to Summers of Fire, Linda learns, in her quest for independence, she’s not made for mediocre employment. That fateful move to Prescott sets her off on a career path that not only changes her life forever, but helps open the world of fighting forest fires to women.


Linda is one of the first women hired on a U.S. Forest Service fire crew. A naïve twenty-year-old in the mid 1970s, she had no idea that she was entering a strictly man’s world, and soon discovered fighting wildfires was just one of the challenges she would face. Told with honest emotion, her story goes beyond battling fires and discrimination—it is a vibrant story of unwavering perseverance.

Linda Strader Writing a MemoirLinda M. Strader

Originally from Syracuse, New York, Ms. Strader moved to Prescott, Arizona with her family in 1972. In 1976, she became one of the first women on a Forest Service fire crew in the Santa Rita Mountains south of Tucson. Her publishing history includes many web articles on her expertise of landscaping with desert plants. A local newspaper, the Green Valley News, printed an article about her firefighting adventures, which led the magazine, Wildfire Today, to publish an excerpt. The article generated interestin her speaking on this topic to several clubs, including the American Association of University Women. 

In addition to writing, Ms. Strader is a landscape architect, certified arborist, and watercolor artist. She currently lives in the same area where her Forest Service career began.

Facebook: https://www.facebook.com/LindaStraderauthor/
Twitter: @desertplantlove
Blog address: https://summersoffirebook.blogspot.com/

Summers of Fire